Reviews | VE

Categorization

Mostly hard interstellar naval SF. A serious form of space opera with culture, politics, diplomacy, romance, action and coming-of-age.

Subject

Humankind’s many worlds are becoming culturally separated, and genetic manipulation has produced several races. Eight years ago, an interstellar empire reached a world whose leader was elevated to nobility in the empire upon his ready surrender. That leader’s son grew up with a secret identity because the people of his world viewed his father as a traitor. Although he has no family left, and although he’s never seen any member of the conquering race, the son is noble by heritage. Now a young adult, he is about to leave his home world for military training at the core of the empire. He, and the elfin girl who picks him up for the journey, know nothing of the war that is about to erupt among thousands of old human colonies, which are now polarized between two vast empires.

Commentary

The early majority of episodes integrate a lot of background very skillfully and avoid unnatural streamlining of the plot. The last episode, on the other hand, takes too many shortcuts and degenerates into a harmlessly violent Disneyland robot safari at one point. Otherwise, the humour is very good, and Japanese language skills pay off. The artificial languages, and the names created in them, sound almost uniformly alien but fairly natural, which is a nice achievement. The world is generally realistic (including amoral), but there is a villain in the end, and some space-opera clichés are readily apparent: uniform technological near-stasis, two-dimensional battles explained as a consequence of the FTL premiss, feudalism and so on. Mercifully low on fan service. Good characters. Overly pompous music, but good enough.

Japanese production animation fiction moving picture series

Sequel:

Categorization	The same.
Subject	Lafiel commands her own ship and participates in the start of a major campaign.
Commentary	The music is a better fit, there are more eccentric nobles (most of them very funny), technology progresses (a little) and the ending is true to form, not the rush job of Crest. On the other hand, there is very little room for ground-based events, and not much cultural exploration.
Japanese production animation fiction moving picture series

Prequel:

Crest of the Stars: Birth (2000)

Categorization	“Lost Chapter”, created as a TV special (25 minutes).
Subject	Lafiel’s parents explore an ancient space hulk, and he pops the Big Question: “Hey, can I have your genes?”
Commentary	The connection to a past colonial age deepens the universe neatly. Otherwise, it adds little to the original.
Japanese production animation fiction moving picture

Sequel:

Categorization	Yet more of the same; a bit shorter.
Subject	During the campaign, our heroes conquer a world that turns out to be a strange form of prison, strategically worthless and possibly unstable.
Commentary	Ground-based events by the boatload (and some romantic closure), yet the charm is fading a little. Female inmates are unrealistically attractive and there is an uncharacteristic amount of morality.
Japanese production animation fiction moving picture series

Sequel:

Categorization	Less than an hour long, showing no serious fighting.
Subject	Jinto returns to his home planet after the campaign, but he is still not wanted there. One of his old friends despises the Abh as automatons by genetic imperative.
Commentary	Calm and sweet: Lafiel blushes repeatedly, nobody dies and the wry comedy works as well as ever. The epilogue makes a good end to the franchise.
Japanese production animation fiction moving picture series