Review of Brother (2000)
Romantically victimless clinical affluence meets extreme nihilism, all in good style—Kitano’s tableaux at an unusually brisk pace—but with poor special effects and all rather clichéd.
Romantically victimless clinical affluence meets extreme nihilism, all in good style—Kitano’s tableaux at an unusually brisk pace—but with poor special effects and all rather clichéd.