Review of “Isaac Asimov: L’étrange testament du père des robots” (2022)

Seen in 2022.

Mathias Théry’s visual composition and editing are very good, apart from the conceit of a video-taped monologue by the author, which is obviously faked. I expected this to be confirmed as a courtesy by the end of the film, but instead, it was presented as a revelation, which is more distasteful than the fake itself.

moving picture non-fiction