The Simpsons (1989) IMDb

Extent

Review refers to pretty much everything up to and including season 14.

Categorization

Sitcom in animated time suspension.

Subject

As in Tokyo Chorus (1931), an impulsive and good-hearted man provides for his wife and their three children.

Commentary

A spin-off from The Tracey Ullman Show (1987). Though born out of Groening’s anti-establishment fervour, the early episodes quickly lose their resemblance to darker cartoons like Dance of Death (1983). Somehow hitting the mark of mass popularity, The Simpsons was brilliant at its height up to season 8 with occasional sparks of good humour in any season. I saw the best parts at the age of around 11-15, that formative period when people are most likely to form a lifelong attachment to a new song as one of their favourites. I am sometimes vividly reminded of The Simpsons. For instance, “Pigs Is Pigs” (1937) prefigures Satan-Flanders force-feeding Homer in “Treehouse of Horror IV” (1993), and brought it back for me.

Inconsistency and lack of creative direction after the three founders left the team tore the show apart. It had punctured the object of its satire so effectively, and became so big as a cultural phenomenon, that the satirical edge disappeared while wit and density ebbed. I love the fact that it’s animated, but of the many freedoms this fact provides, the freedom to prevent children from ageing at all for several decades is singularly unattractive. Instead of the stupid parade of guest stars and self-contradictions, Fox should have cancelled the show and funded the creators’ next effort, but the logic of merchandising forbade that.

References here: “The Canterville Ghost” (1887), “Hold Anything” (1930), Beneath the Planet of the Apes (1970), High Spirits (1988), Family Guy (1999), Futurama (1999), Azumanga Daioh (2002).

animation fiction moving picture series

Interquel:

The Simpsons Movie (2007) IMDb

Categorization

Sitcom on film. Most of the things that are good and bad about the TV series after its peak, squashed together into 87 minutes with a lot of money.

Subject

Ties together several motifs familiar from the series: Environmentalism (portrayed ambivalently), Marge doubting Homer (threatening the marriage yet again), Bart doubting Homer (examining Flanders as an alternate father figure, again), Homer screwing up and redeeming himself, etc.

Commentary

The most annoying detail is the choice of Schwarzenegger who cannot be elected instead of Wolfcastle, the established Schwarzenegger stand-in, as the “timeless” president.

animation fiction moving picture