Producer Nishimura Yoshiaki talks about the collection at length. English-language dub actress Maggie Q is cut in briefly, talking about her role as the mother in “Life Ain’t Gonna Lose” (2018).
A minimal talking-head production, yet there are some interesting details in here about the transition from Ghibli and the artistic collaboration between producer and directors. Nishimura relates how, sitting in a chain coffee shop, he pitched an invisible man to Yamashita for “Invisible” (2018) with the argument that the would-be director had probably forgotten the face of the person who’d just served him his beverage. Though Nishimura doesn’t mention it, this is, in itself, carrying on a Ghibli tradition. Miyazaki always used to demand fully detailed characters in backgrounds for a very similar reason: It’s respect for people, not diminishing them.
The water effects are impressive, but it’s all the scaling flaws of The Secret World of Arrietty (2010) minus speech. The result is curiously similar to “Fish Out of Water”, the silent underwater episode of BoJack Horseman (2014), right down to “Kaka” bringing back a litter to rival that of BoJack’s seahorse.