Categorization |
A spin-off from Looney Tunes (1930), focused on the musical genre, allowing Looney Tunes to develop narratives instead. |
animation fiction moving picture |
Entry:
“Lady, Play Your Mandolin!” (1931) IMDb
Extent |
Seen in 2017.
|
Commentary |
First of the Merrie Melodies. Well made, anarchic, extending anthropomorphization to the entire building that forms most of the set, and showing alcohol-induced psychosis for comedy. It introduced Foxy, a copy of Mickey Mouse, and Roxy, who combines Betty Boop (launched a year earlier; her vocal flourishes are imitated here) with the redundant markers of femininity that are also applied to Bosko’s girlfriend Honey. The attempt to promote a Warner-owned popular song is more obvious than in the earlier Looney Tunes (1930). |
References here: “Bosko’s Fox Hunt” (1931), “Goopy Geer” (1932). |
animation fiction moving picture |
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Entry:
“Smile, Darn Ya, Smile!” (1931) IMDb
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Entry:
“One More Time” (1931) IMDb
Extent |
Seen in 2017.
|
Commentary |
Amid violence and urban alienation, it achieves the distinction of being especially nonsensical because the music it promotes is very poorly matched to the action. Perhaps it could be profitably remixed to Daft Punk’s song by the same name. |
animation fiction moving picture |
|
Entry:
“You Don’t Know What You’re Doin’!” (1931) IMDb
Extent |
Seen in 2017.
|
Commentary |
More hobos, and an amusing advertisement for asbestos on the theater curtain, deliberately comical in the era of escalating concern with the negative health effects. There’s good anarchic energy in a few shots, but the nightmare scene doesn’t quite sustain the right intensity. |
References here: “Bosko in Person” (1933). |
animation fiction moving picture |
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Entry:
“Hittin’ the Trail for Hallelujah Land” (1931) IMDb
Extent |
Seen in 2017.
|
Commentary |
More hobos, and Uncle Tom; one of the Censored Eleven for its obvious racism. I like the lights from the windows on the boat reflected in the water, Porky’s trick with the propeller, the third-act ripoff of “The Skeleton Dance” (1929), and the extreme (though not graphic) brutality of the melodramatic villain’s comeuppance. |
animation fiction moving picture |
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Entry:
“Red-Headed Baby” (1931) IMDb
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Entry:
“Pagan Moon” (1932) IMDb
|
Entry:
“Freddy the Freshman” (1932) IMDb
Extent |
Seen in 2017.
|
Commentary |
Good potential for prefiguring the college comedies of a later era, with wild partying verging on the surreal, but it doesn’t live up to its potential. |
animation fiction moving picture |
|
Entry:
“Crosby, Columbo, and Vallee” (1932) IMDb
Extent |
Seen in 2017.
|
Subject |
Native Americans complain about popular singers. |
Commentary |
I initially thought it might be Christopher Columbus in the title, but it really is Russ Columbo, even though the characters are racially caricatured in a 15th-century lifestyle. I suppose the most interesting thing about this short is the relative similarity of the girl and the boy, compared to the previous couples in this series and Looney Tunes (1930): The extreme feminine attributes of Honey, Roxy and Fluffy are absent here. |
animation fiction moving picture |
|
Entry:
“Goopy Geer” (1932) IMDb
Extent |
Seen in 2017.
|
Commentary |
One good detail for ecocriticism: A waiter orders “One soup!” from a plucked chicken in the kitchen. The bird replies “Comin' up!”, leaps from its shelf into a bowl of water on the stove, swims around, rubs its butt in the water a little extra before getting out, and then towels off. The waiter returns and takes a scoop of water from the bowl to serve his customer. Compare “Smile, Darn Ya, Smile!” (1931). The scene of the psychotic, drunken horse is repeated from “Lady, Play Your Mandolin!” (1931), but the wild energy of that film is sadly absent here. |
animation fiction moving picture |
|
Entry:
“It’s Got Me Again!” (1932) IMDb
Extent |
Seen in 2017.
|
Subject |
Mice defend themselves from a cat using musical instruments, in what appears to be a school. |
Commentary |
First Warner Bros. Oscar nomination for an animated short. It’s plain to see why: It’s much more European and poetic in its sensibilities than other early Merrie Melodies shorts, and much more sedate. The shot of the cat creeping across the roof in the rain is actually beautiful. |
References here: “A Great Big Bunch of You” (1932). |
animation fiction moving picture |
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Entry:
“Moonlight for Two” (1932) IMDb
Extent |
Seen in 2017.
|
Commentary |
Worth watching purely for its painfully bad dance animation, which looks like a 1990s parody of this era’s cartoons. |
animation fiction moving picture |
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Entry:
“The Queen Was in the Parlor” (1932) IMDb
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Entry:
“I Love a Parade” (1932) IMDb
Extent |
Seen in 2017.
|
Subject |
A circus. |
Commentary |
Itchy & Scratchy logic: A lion beats a bass drum too hard, breaking the skin, and pushes it down a dog’s throat to fix the problem. Also a freak show of mostly-ethnic characters. |
animation fiction moving picture |
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Entry:
“You’re Too Careless with Your Kisses!” (1932) IMDb
Extent |
Seen in 2017.
|
Subject |
Drunkenness, domestic quarrels and war among bees. |
Commentary |
I like the war sequence: From cavalry to modern warfare with an aircraft carrier and a submarine (U-Boot) that is a boot. |
animation fiction moving picture |
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Entry:
“I Wish I Had Wings” (1932) IMDb
Extent |
Seen in 2017.
|
Commentary |
Another sack of easy targets for ecocriticism. I like the rooster calling out the marching pace in German, just five months before the Reichstag fire. |
animation fiction moving picture |
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Entry:
“A Great Big Bunch of You” (1932) IMDb
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Entry:
“Three’s a Crowd” (1932) IMDb
Extent |
Seen in 2017.
|
Commentary |
The atypically realistic character designs for Cleopatra and Tarzan look out of place. Indeed, Hyde here functions as a villain against the characters from other works.
Sambo and Uncle Tom are both present as literary classics, as would be expected from early Merrie Melodies; they’re the only ones present that would completely drop out of the canon in the 85 years between the production and my viewing. Unexpectedly, Hyde does not morph into a black stereotype like them after being splashed with ink. |
References here: The League of Extraordinary Gentlemen (1999). |
animation fiction moving picture |
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Entry:
“The Shanty Where Santy Claus Lives” (1933) IMDb
Extent |
Seen in 2017.
|
Commentary |
The design sensibility of the opening shots seems prescient, but it all devolves into a fantasy of wish fulfillment, racism and recycled footage. |
animation fiction moving picture |
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Entry:
“One Step Ahead of My Shadow” (1933) IMDb
Extent |
Seen in 2017.
|
Subject |
Musical pastiche of American stereotypes of East Asian culture: Mostly Chinese but with Japanese torii and stratovolcano etc. |
Commentary |
No improvement over “The Dragon Painter” (1919). The title song is delivered in broken English. As usual, the WB animation studio likes to mix its racial stereotypes for variety, so there’s a Mandarin version of Amos and Andy in one shot. |
References here: “Buddy the Gob” (1934). |
animation fiction moving picture |
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Entry:
“Young and Healthy” (1933) IMDb
Extent |
Seen in 2017.
|
Commentary |
The opening walk down the stairs is an ambitious effort in manual technical animation, but watch the bad geometry when figures are exchanged. |
animation fiction moving picture |
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Entry:
“The Organ Grinder” (1933) IMDb
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Entry:
“Wake Up the Gypsy in Me” (1933) IMDb
Extent |
Seen in 2017.
|
Commentary |
The usual casual racism and exoticism dressed up for comedy. The comment on Rasputin is curious in its lack of apparent meaning. He’s just a scheming villain, disloyal to an unseen tzar. He’s not even hard to kill. The amusing figure entering his castle with a bunch of bombs—perhaps a 1910s-style anarchist terrorist vaguely influenced by Khioniya Guseva—is dropped without comment or consequence. |
animation fiction moving picture |
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Entry:
“I Like Mountain Music” (1933) IMDb
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Entry:
“The Dish Ran Away with the Spoon” (1933) IMDb
Extent |
Seen in 2017.
|
Commentary |
I like the many-eyed anthropomorphic potato crying, the anthropomorphic egg slipping in lard to fall and crack open, revealing an unharmed anthropomorphic chicken, and finally the literal doughboy who gets doped up on yeast and cooked by his enemies. |
References here: Rick and Morty (2013). |
animation fiction moving picture |
|
Entry:
“We’re in the Money” (1933) IMDb
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Entry:
“I’ve Got to Sing a Torch Song” (1933) IMDb
|
Entry:
“Sittin’ on a Backyard Fence” (1933) IMDb
Extent |
Seen in 2017.
|
Subject |
Inanimate objects and cats. |
Commentary |
I like the long johns doing circus acrobatics in the breeze. |
animation fiction moving picture |
|
Entry:
“Pettin’ in the Park” (1934) IMDb
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Entry:
“Honeymoon Hotel” (1934) IMDb
Extent |
Seen in 2017.
|
Categorization |
Full color. |
Commentary |
Catchy. The funniest thing about it is the deliberately broken coy causality. Observe the cut away from the shot of the thermometer, starting with a heart-shaped red bead of mercury and rising to indicate that the honeymooners are schtupping. High pressure breaks the glass (orgasm) and triggers the fire alarm. In isolation, that’s expected in the genre, but it becomes apparent that the same event somehow caused an actual fire too, which is not actually shown and upon which there is no comment whatsoever. |
animation fiction moving picture |
|
Entry:
“Beauty and the Beast” (1934) IMDb
|
Entry:
“Those Were Wonderful Days” (1934) IMDb
Extent |
Seen in 2017.
|
Subject |
Parody of Gay Nineties and turn-of-the-century stereotypes. |
Commentary |
I like the villain’s well-timed dynamite toss and the damsel’s subversive preference for him. |
References here: “Little Dutch Plate” (1935). |
animation fiction moving picture |
|
Entry:
“Goin’ to Heaven on a Mule” (1934) IMDb
Extent |
Seen in 2017.
|
Subject |
An imp and a cherub get into a brutal fistfight and leave the protagonist to drink his gin. He goes to a casino-themed Heaven where everyone is black. Saint Peter gets rid of a salesman at the gate. |
Commentary |
There is no implication that whites go to a segregated Heaven elsewhere. As a satire of Christian belief it’s pretty funny. It would have been less funny with a white Saint Peter, and funnier without the racial stereotypes. |
References here: “Those Beautiful Dames” (1934), “Fish Tales” (1936). |
animation fiction moving picture |
|
Entry:
“How Do I Know It’s Sunday” (1934) IMDb
Extent |
Seen in 2017.
|
Subject |
Another short about what happens in a store when there are no people around; this time a grocery store. |
Commentary |
No doubt the result of bored animators using their imagination in everyday life, hence more pleasant than “We’re in the Money” (1933). |
animation fiction moving picture |
|
Entry:
“Why Do I Dream Those Dreams” (1934) IMDb
Extent |
Seen in 2017.
|
Subject |
Rip Van Winkle. |
Commentary |
Surprisingly pedestrian. Three years earlier the animators would probably have done wilder things with the legend. |
animation fiction moving picture |
|
Entry:
“The Girl at the Ironing Board” (1934) IMDb
|
Entry:
“The Miller’s Daughter” (1934) IMDb
|
Entry:
“Shake Your Powder Puff” (1934) IMDb
|
Entry:
“Rhythm in the Bow” (1934) IMDb
|
Entry:
“Those Beautiful Dames” (1934) IMDb
Extent |
Seen in 2017.
|
Categorization |
Cognitive dissonance. |
Subject |
A poor girl, possibly an orphan, freezes in the winter. When she falls asleep, toys come by to give her an extreme home makeover. Unlike “Goin’ to Heaven on a Mule” (1934), there is nothing here to indicate that the fantastic event is only a dream. |
Commentary |
Colour. It is a curious reversal of the several previous Merrie Melodies where toys party by themselves. See it for the implication that what destitute children need is the appearance of a middle-class lifestyle, not attentive parents, friends, money, education, talent, effort etc. |
animation fiction moving picture |
|
Entry:
“Pop Goes Your Heart” (1934) IMDb
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Entry:
“Mr. and Mrs. Is the Name” (1935) IMDb
|
Entry:
“Country Boy” (1935) IMDb
Extent |
Seen in 2017.
|
Commentary |
The sole highlight is the rhyming conversation between bad-boy Peter Rabbit—whether licensed or a knock-off I don’t know—and his classmates, who warn him not to steal from the farmer, because the teacher will find out. Also, the farmer is a human who will kill Peter and eat him “in a pot”; I like how the funny-animal setting makes this bogeyman threat uncommonly credible. The speaking, anthropomorphic prey animals wear (some) clothes, unlike the farmer’s mute cow. |
References here: Charlotte’s Web (1973). |
animation fiction moving picture |
|
Entry:
“I Haven’t Got a Hat” (1935) IMDb
Extent |
Seen in 2017.
|
Commentary |
A jump forward in character design and planning, including the thoughtful use of colour. |
animation fiction moving picture |
|
Entry:
“Along Flirtation Walk” (1935) IMDb
Extent |
Seen in 2017.
|
Subject |
Hens, with apparently male coaches, compete at laying eggs. Viable eggs are cause for a penalty. |
Commentary |
Poorly put together, but recommended for ecocritical thinking. The animal glee club sings, but none of the animals talk. |
References here: BoJack Horseman (2014). |
animation fiction moving picture |
|
Entry:
“My Green Fedora” (1935) IMDb
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Entry:
“Into Your Dance” (1935) IMDb
|
Entry:
“The Country Mouse” (1935) IMDb
|
Entry:
“The Merry Old Soul” (1935) IMDb
|
Entry:
“The Lady in Red” (1935) IMDb
Extent |
Seen in 2017.
|
Subject |
Roaches in a Spanish kitchen and a parrot villain. |
Commentary |
A minor graphical upgrade on the recurring motif of small creatures running the show and repurposing everyday objects when there are no people around. |
animation fiction moving picture |
|
Entry:
“Little Dutch Plate” (1935) IMDb
|
Entry:
“Billboard Frolics” (1935) IMDb
Extent |
Seen in 2017.
|
Categorization |
Yet another animist Warner Bros. short about environments coming to life without people around. |
animation fiction moving picture |
|
Entry:
“Flowers for Madame” (1935) IMDb
Extent |
Seen in 2017.
|
Categorization |
The first 3-strip Technicolor cartoon in the series. |
Subject |
Flowers in a garden have a parade and put out a living fire. |
animation fiction moving picture |
|
Entry:
“I Wanna Play House” (1936) IMDb
Extent |
Seen in 2017.
|
Subject |
Bear cubs at play. |
Commentary |
A marked improvement in the use of shot length and Technicolor. The plot is not yet clever and the characters are weak, but the basic technical building blocks are in place for the golden age. |
References here: “Mickey’s Trailer” (1938). |
animation fiction moving picture |
|
Entry:
“I’m a Big Shot Now” (1936) IMDb
|
Entry:
“Let It Be Me” (1936) IMDb
Extent |
Seen in 2017.
|
Commentary |
I like the rural boyfriend getting up the nerve to head out in the winter storm and being blown through several rooms of his house and out the back. |
animation fiction moving picture |
|
Entry:
“I’d Love to Take Orders from You” (1936) IMDb
|
Entry:
“Bingo Crosbyana” (1936) IMDb
Extent |
Seen in 2017.
|
Commentary |
An awkward combination of several of Freleng’s most common tropes: Musical bugs repurposing a domestic scene in the absence of people, melodramatic villainy threatening the women, and gentle, conventionally moral parody of a pop star. |
animation fiction moving picture |
|
Entry:
“Page Miss Glory” (1936) IMDb
Extent |
Seen in 2017.
|
Subject |
A Hicksville bellhop fantasizes about meeting a star. |
Commentary |
The Art Deco, with echoes of Fritz Lang, suggests Tex Avery’s talent and bright future. |
animation fiction moving picture |
|
Entry:
“When I Yoo Hoo” (1936) IMDb
Extent |
Seen in 2017.
|
Commentary |
The final shot, of non-funny-animal cocks on the bleachers when their funny-animal owners and trainers fight, is no punchline. It is more interesting, ecocritically, that the two feuding hillbilly clans are both represented as biologically similar to one another and internally diverse. |
References here: “The Martins and the Coys” (1946). |
animation fiction moving picture |
|
Entry:
“I Love to Singa” (1936) IMDb
|
Entry:
“Sunday Go to Meetin’ Time” (1936) IMDb
|
Entry:
“At Your Service Madame” (1936) IMDb
Extent |
Seen in 2017.
|
Subject |
Anthropomorphic piglets are taught to eat gracefully out of individual troughs. One hyperactive piglet who fails at this task is the only one with the initiative to stop a con man. |
Commentary |
Neatly contained, without anyone thinking too hard about the contents. |
animation fiction moving picture |
|
Entry:
“Toy Town Hall” (1936) IMDb
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Entry:
“The CooCoo Nut Grove” (1936) IMDb
Extent |
Seen in 2018.
|
Categorization |
Caricature. |
Subject |
Cartoon caricatures of real contemporary celebrities at a glamorous night club, patterned after the Cocoanut Grove of the Ambassador Hotel in Los Angeles. |
Commentary |
Wikipedia names over 20 celebrities, many more than I could recognize. For something so extremely heavy on reference humour for its time and medium, it is surprisingly well put together; there is even a restored version where the colour looks lovely. Though it alludes to the various celebrities rather than naming them, it is a more direct form of reference humour than the mere idioms of “Bosko in Person” (1933). |
References here: “Porky’s Road Race” (1937), “Speaking of the Weather” (1937), “The Woods Are Full of Cuckoos” (1937), “Bambi Meets Godzilla” (1974). |
animation fiction moving picture |
|
Entry:
“Don’t Look Now” (1936) IMDb
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Entry:
“He Was Her Man” (1937) IMDb
|
Entry:
“Pigs Is Pigs” (1937) IMDb
|
Entry:
“The Fella with the Fiddle” (1937) IMDb
Extent |
Seen in 2018.
|
Subject |
A beggar living in luxury is menaced by a tax collector. |
Commentary |
While the premise is offensive, the execution is not bad. |
animation fiction moving picture |
|
Entry:
“She Was an Acrobat’s Daughter” (1937) IMDb
Extent |
Seen in 2018.
|
Commentary |
A brief Hitler cameo is used to illustrate the uselessness of seats crammed in very close to the movie-theatre screen, as was common at the time. |
animation fiction moving picture |
|
Entry:
“I Only Have Eyes for You” (1937) IMDb
Extent |
Seen in 2018.
|
Commentary |
Pun title, misuse of Blanc. The only good part is the love interest’s ambition to marry any radio crooner. |
animation fiction moving picture |
|
Entry:
“Clean Pastures” (1937) IMDb
|
Entry:
“Streamlined Greta Green” (1937) IMDb
|
Entry:
“Sweet Sioux” (1937) IMDb
Extent |
Seen in 2018.
|
Subject |
Native Americans. |
Commentary |
As in “Bosko the Talk-Ink Kid” (1929), there is not much going on here except ethnicity viewed from the outside. Like Bosko, the Americans dance the czardas to mix things up. The individual jokes all fail, which leads me to believe that this game of ethnicities was itself considered a selling point. |
animation fiction moving picture |
|
Entry:
“Egghead Rides Again” (1937) IMDb
Extent |
Seen in 2018.
|
Subject |
A weak Wild West fanboy gets to try being a cowboy. |
Commentary |
Egghead looks a bit like a proboscis monkey. |
animation fiction moving picture |
|
Entry:
“Plenty of Money and You” (1937) IMDb
|
Entry:
“Ain’t We Got Fun” (1937) IMDb
|
Entry:
“Speaking of the Weather” (1937) IMDb
Extent |
Seen in 2018.
|
Commentary |
There is a direct textual reference to “The CooCoo Nut Grove” (1936) in it, and I like the concept of magazines coming to life as a variation of the perennial series motif, but it it isn’t developed. |
animation fiction moving picture |
|
Entry:
“Dog Daze” (1937) IMDb
Extent |
Seen in 2018.
|
Subject |
A pedigree dog show. |
Commentary |
Some of the individual acts are short enough for the Vine video sharing service of 80 years later. |
animation fiction moving picture |
|
Entry:
“I Wanna Be a Sailor” (1937) IMDb
Extent |
Seen in 2018.
|
Subject |
A fledgling parrot and a duckling team up as pirates. |
Commentary |
Avery switching fluidly between miniature musical numbers, pop-culture allusions and a thin plot, but the characters are weak. |
animation fiction moving picture |
|
Entry:
“The Lyin’ Mouse” (1937) IMDb
|
Entry:
“A Sunbonnet Blue” (1937) IMDb
|
Entry:
“The Woods Are Full of Cuckoos” (1937) IMDb
Extent |
Seen in 2018.
|
Categorization |
Caricature. A collection of celebrity impressions similar in style and concept to “The CooCoo Nut Grove” (1936). |
Subject |
Stars of radio and music. |
Commentary |
Comparatively poor, perhaps because I recognize even fewer celebrities, but it doesn’t seem to have the same verve. |
animation fiction moving picture |
|
Entry:
“September in the Rain” (1937) IMDb
|
Entry:
“Little Red Walking Hood” (1937) IMDb
|
Entry:
“My Little Buckeroo” (1938) IMDb
|
Entry:
“Jungle Jitters” (1938) IMDb
Extent |
Seen in 2018.
|
Commentary |
One of the Censored Eleven. The non-racist humour in it is based on references, apparently to Al Pearce, Clark Gable and Robert Taylor. So it’s two kinds of comedy that do not age well. |
animation fiction moving picture |
|
Entry:
“The Sneezing Weasel” (1938) IMDb
|
Entry:
“A Star Is Hatched” (1938) IMDb
|
Entry:
“Now That Summer Is Gone” (1938) IMDb
Extent |
Seen in 2019.
|
Subject |
Squirrels gathering, or gambling for, nuts. |
Commentary |
A pretty good catalogue of the serial production tricks developed up to this point. |
animation fiction moving picture |
|
Entry:
“Katnip Kollege” (1938) IMDb
Extent |
Seen in 2019.
|
Subject |
A kitten learns to swing by listening to the ticking of a clock in detention after school. |
animation fiction moving picture |
|
Entry:
“Have You Got Any Castles?” (1938) IMDb
|
Entry:
“Love and Curses” (1938) IMDb
|
Entry:
“Cinderella Meets Fella” (1938) IMDb
Extent |
Seen in 2019.
|
Subject |
A remarkably complete retelling of Cinderella’s tale with an alcoholic fairy godmother and multiple rounds of Avery metatheatre to cap it off. |
animation fiction moving picture |
|
Entry:
“The Penguin Parade” (1938) IMDb
|
Entry:
“The Major Lied ’Til Dawn” (1938) IMDb
|
Entry:
“A-Lad-In Bagdad” (1938) IMDb
|
Entry:
“Cracked Ice” (1938) IMDb
|
Entry:
“The Isle of Pingo Pongo” (1938) IMDb
Extent |
Seen in 2019.
|
Commentary |
The first handful of jokes about the black “aboriginals” on the island all undercut prejudice and exoticism. Only after that, the notorious racism of the Censored Eleven enters the picture. There’s enough other stuff going on to keep it funny. |
References here: “Clown of the Jungle” (1947). |
animation fiction moving picture |
|
Entry:
“A Feud There Was” (1938) IMDb
Extent |
Seen in 2019.
|
Subject |
Hillbilly families shooting each other. |
Commentary |
Especially poor shot continuity but some decent metafiction. |
animation fiction moving picture |
|
Entry:
“Little Pancho Vanilla” (1938) IMDb
|
Entry:
“Johnny Smith and Poker-Huntas” (1938) IMDb
Extent |
Seen in 2019.
|
Commentary |
Pretty intelligent anti-racist use of racist motifs. The native Americans are simultaneously portrayed according to stereotype and as modern Americans outclassing the white settlers on the Mayflower. |
animation fiction moving picture |
|
Entry:
“You’re an Education” (1938) IMDb
|
Entry:
“The Night Watchman” (1938) IMDb
|
Entry:
“Count Me Out” (1938) IMDb
Extent |
Seen in 2019.
|
Commentary |
The correspondence course in boxing, which extends to coaching a title match in real time on vinyl, is the first noted use of an ACME product in a Warner Bros. cartoon. It’s a fine start. |
animation fiction moving picture |
|
Entry:
“The Mice Will Play” (1938) IMDb
Extent |
Seen in 2019.
|
Commentary |
The closing punchline is good: Overhearing the heroic newlyweds’ talk of babies, the villainous cat who’s been stalking them throughout the film decides to hold off its attack. It’s a tame anthropomorphic animal deciding on animal husbandry, in further imitation of a human. |
animation fiction moving picture |
|
Entry:
“Coal Black and de Sebben Dwarfs” (1943) IMDb
|