Poetry
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- The Epic of Gilgamesh (ca. 2100–1100 BCE)
- “The Poem of the Righteous Sufferer” (ca. 1700–1280 BCE)
- The Iliad (ca. 700 BCE)
- The Odyssey (ca. 700 BCE)
- “Lamentations” (ca. 586–520 BCE entry)
- Dao De Jing (ca. 400 BCE)
- Job (ca. 550–200 BCE entry)
- Psalms (ca. 700–200 BCE entry)
- “Song of Songs” (ca. 200 BCE entry)
- Beowulf (ca. 700–1000)
- The Song of Roland (ca. 1115)
- Völsunga Saga (ca. 1250–1300)
- La Vita Nuova (1294)
- Divine Comedy (1320)
- “A Gest of Robyn Hode” (ca. 1450)
- Hamlet (1603)
- Macbeth (1606)
- “Upon the Circumcision” (1633/1645)
- Paradise Lost (1667/1674)
- “Boadicea: An Ode” (1782)
- “The Rime of the Ancient Mariner” (1798)
- “Darkness” (1816)
- “Kubla Khan” (1816)
- “The Castled Crag of Drachenfels” (1816)
- “Ozymandias” (1818)
- “Ode on a Grecian Urn” (1819)
- “A Dream” (1827)
- “Dreams” (1827)
- “Evening Star” (1827)
- “Imitation” (1827)
- “Song” (1827)
- “Spirits of the Dead” (1827)
- “Stanzas” (1827)
- “Tamerlane” (1827)
- “The Happiest Day” (1827)
- “The Lake” (1827)
- “Al Aaraaf” (1829)
- “Elizabeth” (1829)
- “Fairy-Land” (1829)
- “Romance” (1829)
- “Sonnet — To Science” (1829)
- “To Marie Louise” (1829)
- “To the River” (1829)
- “To —” (1829)
- “Alone” (1830)
- “To M—” (1830)
- “A Pæan” (1831)
- “Israfel” (1831)
- “The City in the Sea” (1831)
- “The Sleeper” (1831)
- “The Valley Nis” (1831)
- “To Helen” (1831)
- “Serenade” (1833)
- “The Coliseum” (1833)
- “Hymn” (1835 entry)
- “To F——s S. O——d” (1835/1845)
- “Bridal Ballad” (1837)
- “Sonnet — To Zante” (1837)
- “The Haunted Palace” (1839 entry)
- “Silence” (1840)
- “Eulalie” (1843)
- “Lenore” (1843)
- “The Conqueror Worm” (1843 entry)
- “To One in Paradise” (1843)
- “Dream-Land” (1844)
- “Epigram for Wall Street” (1845)
- “The Raven” (1845)
- “The Valley of Unrest” (1845)
- “To F——” (1845)
- “A Valentine” (1846)
- “To M. L. S.” (1847)
- “Ulalume” (1847)
- “An Enigma” (1848)
- “Eldorado” (1848)
- “The Bells” (1848)
- “To Helen” (1848)
- “A Dream Within a Dream” (1849)
- “Annabel Lee” (1849)
- “For Annie” (1849)
- “To My Mother” (1849)
- “Awake Ye Muses Nine, Sing Me a Strain Divine” (1850)
- “There Is Another Sky” (1851)
- “‘Sic Transit Gloria Mundi’” (1852)
- “On This Wondrous Sea” (1853)
- “To —” (1853)
- “I Have a Bird in Spring” (1854)
- “La vie antérieure” (1855)
- “Correspondances” (1857)
- “Harmonie du soir” (1857)
- “Spleen” (1857)
- “Une charogne” (1857)
- “A Day! Help! Help! Another Day!” (1858)
- “Frequently the Woods Are Pink” (1858)
- “Heart! We Will Forget Him!” (1858/1859)
- “I Hav’nt Told My Garden Yet” (1858)
- “I Often Passed the Village” (1858)
- “I Robbed the Woods” (1858)
- “If I Should Die” (1858)
- “If Those I Loved Were Lost” (1858)
- “Nobody Knows This Little Rose” (1858)
- “Oh If Remembering Were Forgetting” (1858)
- “Snowflakes” (1858)
- “Taken from Men — This Morning” (1858)
- “The Feet of People Walking Home” (1858)
- “We Lose — Because We Win” (1858)
- “A Science — so the Savants Say” (1859)
- “Angels in the Early Morning” (1859)
- “Bless God, He Went As Soldiers” (1859)
- “For Every Bird a Nest” (1859)
- “Good Night, Because We Must” (1859)
- “If She Had Been the Mistletoe” (1858/1859)
- “It Did Not Surprise Me” (1859)
- “Le voyage VIII” (1859)
- “L’Albatros” (1859)
- “My Friend Attacks My Friend” (1859)
- “Safe in Their Alabaster Chambers” (1859)
- “So Bashful When I Spied Her” (1859)
- “Soul, Wilt Thou Toss Again?” (1859)
- “South Winds Jostle Them” (1859)
- “Success Is Counted Sweetest” (1859)
- “The Daisy Follows Soft the Sun” (1859/1860)
- “The Rainbow Never Tells Me” (1859)
- “There’s Something Quieter Than Sleep” (1858/1859)
- “To Venerate the Simple Days” (1858/1859)
- “Water, Is Taught by Thirst” (1859)
- “What Inn Is This” (1859)
- “Where I Have Lost, I Softer Tread” (1859/1860)
- “Who Never Lost, Are Unprepared” (1859)
- “Whose Cheek Is This?” (1859)
- “‘Arcturus’ Is His Other Name” (1859)
- “‘Houses’ — so the Wise Men Tell Me” (1859)
- “’Twas Such a Little — Little Boat” (1859/1860)
- “A Fuzzy Fellow Without Feet” (1860)
- “A Slash of Blue” (1860/1861)
- “A Wounded Deer Leaps Highest” (1860)
- “Come Slowly — Eden” (1860/1861)
- “Dying! Dying in the Night” (1860/1861)
- “I Shall Know Why, When Time Is Over” (1860/1861)
- “I Taste a Liquor Never Brewed” (1860/1861)
- “Make Me a Picture of the Sun” (1860/1861)
- “Musicians Wrestle Everywhere” (1860/1861)
- “My River Runs to Thee” (1860/1861)
- “Pine Bough” (1860/1861)
- “The Rose Did Caper on Her Cheek” (1860/1861)
- “What Is — ‘Paradise’” (1860/1861)
- “A Solemn Thing — It Was — I Said” (1861/1862)
- “I Came to Buy a Smile — Today” (1861)
- “I Held a Jewel in My Fingers” (1861)
- “If Your Nerve, Deny You” (1861/1862)
- “It Can’t be ‘Summer’” (1861)
- “Many a Phrase Has the English Language” (1861/1862)
- “Of Bronze — and Blaze” (1861/1862)
- “Over the Fence” (1861)
- “The Drop, That Wrestles in the Sea” (1861)
- “Unto Like Story — Trouble Has Enticed Me” (1861/1862)
- “What If I Say I Shall Not Wait” (1861/1862)
- “Where Ships of Purple — Gently Toss” (1861/1861)
- “Wild Nights — Wild Nights” (1861)
- “You’re Right — ‘The Way Is Narrow’” (1861)
- “‘Hope’ Is the Thing With Feathers” (1861/1862)
- “A Dying Tiger — Moaned for Drink” (1862/1863)
- “A Secret Told” (1862/1863)
- “Again — His Voice Is at the Door” (1862)
- “At Least — to Pray — Is Left — Is Left” (1862)
- “Beauty — be Not Caused — It Is” (1862/1863)
- “Because I Could Not Stop for Death” (1862/1863)
- “Bianca Among the Nightingales” (1862)
- “Blazing in Gold and Quenching in Purple” (1862)
- “Dont Put Up My Thread & Needle” (1862/1863)
- “Doom Is the House Without the Door” (1862/1863)
- “Forever — Is Composed of Nows” (1862/1863)
- “From Blank to Blank” (1862/1863)
- “Funny — to be a Century” (1862/1863)
- “Good Morning — Midnight” (1862)
- “Her Sweet Weight on My Heart a Night” (1862/1863)
- “I Could Not Prove the Years Had Feet” (1862/1863)
- “I Died for Beauty, but Was Scarce” (1862)
- “I Dwell in Possibility” (1862)
- “I Envy Seas, Whereon He Rides” (1862)
- “I Had No Time to Hate” (1862/1863)
- “I Heard a Fly Buzz — When I Died” (1862/1863)
- “I Know a Place Where Summer Strives” (1862)
- “I Measure Every Grief I Meet” (1862/1863)
- “I Should Have Been Too Glad, I See” (1862)
- “I Think I Was Enchanted” (1862/1863)
- “I Think the Longest Hour of All” (1862)
- “I Took My Power in My Hand” (1862/1863)
- “I Would Not Paint — a Picture” (1862)
- “I Years Had Been From Home” (1862)
- “If Anybody’s Friend be Dead” (1862)
- “It Sifts From Leaden Sieves” (1862)
- “Much Madness Is Divinest Sense” (1862/1863)
- “Not in This World to See His Face” (1862)
- “Of All the Souls That Stand Create” (1862)
- “One Need Not be a Chamber — to be Haunted” (1862/1863)
- “Rest at Night” (1862/1863)
- “She Dealt Her Pretty Words Like Blades” (1862)
- “Sweet — You Forgot — but I Remembered” (1862/1863)
- “The Angle of a Landscape” (1862/1863)
- “The Black Berry — Wears a Thorn in His Side” (1862/1863)
- “The Day Came Slow — till Five o'Clock” (1862/1863)
- “The First Day’s Night Had Come” (1862)
- “The Lightning Playeth — All the While” (1862/1863)
- “The Love a Life Can Show Below” (1862/1863)
- “The Manner of It’s Death” (1862/1863)
- “The Martyr Poets — Did Not Tell” (1862/1863)
- “The Months Have Ends — the Years — a Knot” (1862)
- “The Moon Is Distant From the Sea” (1862)
- “The Night Was Wide, and Furnished Scant” (1862/1863)
- “The Power to Be True to You” (1862/1863)
- “The Spider Holds a Silver Ball” (1862/1863)
- “The Test of Love – Is Death” (1862)
- “The Wind Did’nt Come From the Orchard — Today” (18)
- “The Wind — Tapped Like a Tired Man” (1862/1863)
- “There Came a Day at Summer’s Full” (1862)
- “They Shut Me Up in Prose” (1862)
- “This Is My Letter to the World” (1862/1863)
- “To Hear an Oriole Sing” (1862)
- “To Offer Brave Assistance” (1862/1863)
- “Trust in the Unexpected” (1862/1863)
- “Two Butterflies went Out at Noon” (1862/1863)
- “We Grow Accustomed to the Dark” (1862)
- “We Learned the Whole of Love” (1862/1863)
- “We Talked as Girls Do” (1862)
- “When Diamonds Are a Legend” (1862/1863)
- “You Cannot Put a Fire Out” (1862)
- “‘Why Do I Love’ You, Sir?” (1862)
- “A Curious Cloud Surprised the Sky” (1863)
- “A Drop Fell on the Apple Tree” (1863/1864)
- “A Thought Went Up My Mind Today” (1863)
- “Bloom Upon the Mountain — Stated” (1863)
- “Drama’s Vitallest Expression Is the Common Day” (1863)
- “Expectation — Is Contentment” (1863/1864)
- “Grief Is a Mouse” (1863)
- “I Could Bring You Jewels — Had I a Mind to” (1863)
- “I Send Two Sunsets” (1863)
- “Just to be Rich” (1863)
- “Light Is Sufficient to Itself” (1863/1864)
- “My Life Had Stood — a Loaded Gun” (1863)
- “Nature — the Gentlest Mother Is” (1863)
- “Never for Society” (1863)
- “She Staked Her Feathers — Gained an Arc” (1863/1864)
- “Such Is the Force of Happiness” (1863/1864)
- “Sweet Mountains — Ye Tell Me No Lie” (1863)
- “The Judge Is Like the Owl” (1863)
- “The Loneliness One Dare Not Sound” (1863/1864)
- “The Sun Kept Setting — Setting — Still” (1863)
- “They dropped like Flakes” (1863)
- “Time Feels so Vast That Were It Not” (1863/1864)
- “To Wait an Hour — Is Long” (1863/1864)
- “Where Thou Art — That — Is Home” (1863)
- “A Light Exists in Spring” (1864/1865)
- “As Frost Is Best Conceived” (1864/1865)
- “As Sleigh Bells Seem in Summer” (1864)
- “Enivrez-vous” (1864)
- “Fairer Through Fading — as the Day” (1864)
- “How Far Is It to Heaven?” (1864/1865)
- “I Felt a Cleaving in My Mind” (1864)
- “I Made Slow Riches but My Gain” (1864/1865)
- “If I Can Stop One Heart From Breaking” (1864/1865)
- “Of Tolling Bell I Ask the Cause?” (1864/1865)
- “Peace Is a Fiction of Our Faith” (1864/1865)
- “The Admirations — and Contempts — of Time” (1864)
- “The Hollows Round His Eager Eyes” (1864/1865)
- “The Poets Light but Lamps” (1864)
- “The Robin for the Crumb” (1864)
- “The Soul’s Distinct Connection” (1864/1865)
- “The Sun and Moon Must Make Their Haste” (1864/1865)
- “The Wind Begun to Knead the Grass” (1864)
- “This Chasm, Sweet, Upon My Life” (1864/1865)
- “This Consciousness That Is Aware” (1864)
- “This Is a Blossom of the Brain” (1865/1866)
- “Two Travellers Perishing in Snow” (1864/1865)
- “Unable Are the Loved to Die” (1864/1865)
- “What I See Not, I Better See” (1864)
- “A Narrow Fellow in the Grass” (1865)
- “Air Has No Residence, No Neighbor” (1865)
- “Crumbling Is Not an Instant’s Act” (1865)
- “Further in Summer Than the Birds” (1865)
- “Gratitude — Is Not the Mention” (1865)
- “I Heard, as If I Had No Ear” (1865)
- “The Bustle in a House” (1865/1866)
- “The Dying Need but Little, Dear” (1865)
- “The Largest Fire Ever Known” (1865)
- “Three Weeks Passed Since — I Had Seen Her” (1865)
- “Up Life’s Hill With My Little Bundle” (1865)
- “Chanson d’automne” (1866)
- “The Frost of Death Was on the Pane” (1866/1869)
- “The Merchant of the Picturesque” (1867/1868)
- “Tell All the Truth but Tell It Slant” (1868/1872)
- “The Snow That Never Drifts” (1868/1869)
- “These Are the Nights That Beetles Love” (1868)
- “Clair de lune” (1869)
- “How Many Schemes May Die” (1869/1874)
- “The Duties of the Wind Are Few” (1869)
- “A Not Admitting of the Wound” (1870)
- “The Sleeper in the Valley” (1870/1888)
- “A Boat Beneath a Sunny Sky” (1871 entry)
- “Haddocks’ Eyes” (1871 entry)
- “Jabberwocky” (1871 entry)
- “Oh Shadow on the Grass” (1871)
- “So Much of Heaven Has Gone From Earth” (1871/1872)
- “Step Lightly on This Narrow Spot” (1871)
- “The Mountains Stood in Haze” (1871/1873)
- “The Walrus and the Carpenter” (1871 entry)
- “Vowels” (1871/1883)
- “Who Goes to Dine Must Take His Feast” (1871/1872)
- “A Word Dropped Careless on a Page” (1872/1873)
- “Longing Is Like the Seed” (1872/1873)
- “My Triumph Lasted Till the Drums” (1871/1872)
- “Risk Is the Hair That Holds the Tun” (1872)
- “Because That You Are Going” (1873/1874)
- “There Is No Frigate Like a Book” (1873)
- “Toast funèbre” (1873)
- “While We Were Fearing It, It Came” (1873/1874)
- “Ô saisons, ô chateaux” (1873)
- “As Summer Into Autumn Slips” (1874/1875)
- “Delight’s Despair at Setting” (1874/1875)
- “Il pleure dans mon cœur” (1874)
- “Not With a Club, the Heart Is Broken” (1874)
- “Let Me Not Mar That Perfect Dream” (1875)
- “Upon a Lilac Sea” (1875)
- “Dreams are the Subtle Dower” (1876)
- “How Much the Present Moment Means” (1876/1877)
- “Long Years Apart — Can Make No” (1876)
- “The Bat Is Dun, With Wrinkled Wings” (1876)
- “Trusty as the Stars” (1876)
- “It Sounded as If the Streets Were Running” (1877)
- “Lay this Laurel on the One” (1877)
- “One Joy of so Much Anguish” (1877)
- “What Mystery Pervades a Well” (1877)
- “Death Is the Supple Suitor” (1878)
- “Hope Is a Subtle Glutton” (1879/1882)
- “If Wrecked Upon the Shoal of Thought” (1879)
- “The Fascinating Chill That Music Leaves” (1879)
- “Glass Was the Street — in Tinsel Peril” (1880)
- “My Country Need Not Change Her Gown” (1880/1881)
- “The Face in Evanescence Lain” (1880)
- “You Cannot Make Remembrance Grow” (1880)
- “A Faded Boy — in Sallow Clothes” (1881)
- “Le ciel est, par-dessus le toit” (1881)
- “The Bird Her Punctual Music Brings” (1881/1883)
- “The Butterfly Upon the Sky” (1881)
- “Art poetique” (1882)
- “He Ate and Drank the Precious Words” (1882)
- “No Matter Where the Saints Abide” (1882)
- “Sweet Pirate of the Heart” (1882)
- “Those — Dying Then” (1882)
- “No Ladder Needs the Bird but Skies” (1883)
- “The Lassitudes of Contemplation” (1883)
- “The Spirit Lasts — but in What Mode” (1883)
- “There Came a Wind Like a Bugle” (1883)
- “A Drunkard Cannot Meet a Cork” (1884)
- “Not Knowing When the Dawn Will Come” (1884)
- “Talk Not to Me of Summer Trees” (1884)
- “Who Is It Seeks My Pillow Nights” (1884)
- “The Swan” (1885)
- “Aube” (1886)
- “Being Beauteous” (1886)
- “Départ” (1886)
- “Marine” (1886)
- “Parsifal” (1886/1888)
- “Pierrots” (1886)
- “Solde” (1886)
- “Toute l’âme résumée” (1895)
- “Softened by Time’s Consummate Plush” (1896)
- “Sweet Hours Have Perished Here” (1896)
- “To Make a Prairie It Takes a Clover and One Bee” (1896)
- “Des sehers wort ist wenigen gemeinsam” (1897)
- “Komm in den totgesagten park und schau” (1897)
- “Wir schreiten auf und ab im reichen flitter” (1897)
- “Die Engel” (1902)
- “Pont du Carrousel” (1902)
- “Der Panther” (1903)
- “Möwenlied” (1905)
- “Neznakomka” (1906)
- “Ballade des äusseren Lebens” (1907)
- “Praise of Ysolt” (1909)
- “Palmström” (1910)
- “Zakljatie smechom” (1910)
- “Der Blinde” (1911)
- “Mann und Frau gehn durch die Krebsbaracke” (1912)
- “Alba” (1913)
- “Chantre” (1913)
- “Hagia Sophia” (1912/1913)
- “In a Station of the Metro” (1913)
- “Kaspar Hauser Lied” (1913)
- “Les colchiques” (1913)
- “Večerom” (1913)
- “A Cap of Lead Across the Sky” (1914)
- “Beauty Crowds Me Till I Die” (1914)
- “Fame Is a Fickle Food” (1914)
- “I Did Not Reach Thee” (1914)
- “There Is a Solitude of Space” (1914)
- “T’was Comfort in Her Dying Room” (1914)
- “Die Nacht” (1915)
- “Grodek” (1915)
- “In Flanders Fields” (1915)
- “Theodore the Poet” (1915)
- “A Pact” (1916)
- “Chicago” (1916)
- “L’art, 1910” (1916)
- “O pašni, pašni, pašni” (1917/1918)
- “The Wild Swans at Coole” (1917)
- “V lesu” (1917)
- “August, 1914” (1918)
- “Desire” (1918)
- “Grass” (1918)
- “Nemesis” (1918)
- “Roundel” (1918)
- “The Stabbed Dove and the Fountain” (1918)
- “San Martino del Carso” (1919)
- “Gerontion” (1920)
- “Sweeney Among the Nightingales” (1920)
- “The Graveyard by the Sea” (1920)
- “Prikaz №2 armii iskusstv” (1922)
- “Popytka revnosti” (1924)
- “Unknown Soldiers” (1924)
- “Mediterraneo” (1925)
- “The Hollow Men” (1925)
- “Sailing to Byzantium” (1927)
- “Salomon-Song: Die Ballade von den Prominenten” (1928)
- “The Ancient Track” (1930)
- “L’union libre” (1931)
- “Autopsicografia” (1932)
- “Facteur Cheval” (1932)
- “The Man of Tyre” (1932)
- “And Death Shall Have No Dominion” (1933)
- “Gacela de la huída” (ca. 1931–1934)
- “Mattina” (1933)
- “The Express” (1933)
- “The Force That Through the Green Fuse Drives the Flower” (1934)
- “Pusti menja, otdaj menja, Voronež” (1935)
- “Fragen eines lesenden Arbeiters” (1939)
- “Musée de Beaux Arts” (1939)
- “Les lilas et les roses” (1940)
- “Pour vivre ici” (1940)
- “Vivre” (1940)
- “O binómio de Newton é tão belo como a Vénus de Milo” (1944)
- “As Subtle as Tomorrow” (1945)
- “Did Life’s Penurious Length” (1945)
- “Her Face Was in a Bed of Hair” (1945)
- “Love Can Do All but Raise the Dead” (1945)
- “The Waters Chased Him as He Fled” (1945)
- “There Comes an Hour When Begging Stops” (1945)
- “Uomo del mio tempo” (1949)
- “Invierno en el sur, a caballo” (1950)
- “La gran alegría” (1950)
- “La muerte” (1950)
- “The Fall of Rome” (1951)
- “The Shield of Achilles” (1952)
- “Schibboleth” (1954)
- “Fame Is a Bee” (1955)
- “Sometimes With the Heart” (1955)
- “The Saddest Noise, the Sweetest Noise” (1955)
- “They Talk as Slow as Legends Grow” (1955)
- “Welchen der Steine du hebst” (1955)
- Aniara (1956)
- “Gamlet” (1957)
- “Ins Lesebuch für die Oberstufe” (1957)
- “The Thought-Fox” (1957)
- “Goya” (1958)
- “Sommerbericht” (1959)
- “To Aunt Rose” (1958/1961)
- “Early Spring” (1962)
- “Fritz Cremer, Bronze: „Der Aufsteigende“” (1968)
- “Riderless Horses” (1968)
- “Archaeology” (1973)
- “Adrenalin” (1976)
- “Lemonade” (1989)
- “Academy Leader” (1991)
- “Frankenstein” (1994)
- The Art of Princess Mononoke (1997)
- “Notes for the Spirited Away Image Album” (2000)
- “Memo on Music for Joe Hisaishi” (2007)
- “Xenofeminism: A Politics for Alienation” (2015)
- “Shakespeare’s Sonnets: Abridged Beyond the Point of Usefulness” (2018)
- “I Think of Silences When I Think of You” (2023)
Other
The following make direct references to the poetry tag.
- “Text” tag description